I am interested in conveying humanity's linear perception of time which we have come to view as absolute. We believe that the universe is all of existence and has been formed by a definite series of events. However, theories like quantum superposition and Feynman's sum over histories have had an impact on how I view time, matter, and existence within physical space.
The painting, time, 2018, is an embodiment of humanity’s linear perception of time. The thick band of flowing green and lilac paint has evolved into various forms over its period of solidification. Since the changes are occurring just outside of our perception of the passage of time, they are not directly observable, but when captured by photographs the changes are prevalent.
The initially obtained, perfectly flat surface slowly morphs and reconforms into localized groups of texture and non-uniformity, which is much like the evolution of how matter exists and behaves in the postulated unobservable past of our universe.
If we were viewing this piece from a dimension of space-time different from our own, we might observe all of the qualities of the painting time simultaneously. The content that can be derived from experiencing this painting is that our physical scale and perception of time has the largest influence of how we define reality.
đŸ–¤Annie
The initially obtained, perfectly flat surface slowly morphs and reconforms into localized groups of texture and non-uniformity, which is much like the evolution of how matter exists and behaves in the postulated unobservable past of our universe.If we were viewing this piece from a dimension of space-time different from our own, we might observe all of the qualities of the painting time simultaneously. The content that can be derived from experiencing this painting is that our physical scale and perception of time has the largest influence of how we define reality.
đŸ–¤Annie